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Blink 3 of 8 - The 5 AM Club
by Robin Sharma
The Harvard University Lectures that Turned Language into Action
How to Do Things with Words by J. L. Austin illuminates the concept of performative language. It reveals how utterances not only convey information but can also function as actions, significantly impacting social interactions and realities.
Let’s start with a deceptively tricky question: What’s the purpose of a statement? For a long, long time, philosophers treated statements, utterances, and sentences as if their main job were to describe the world. You say something, and all that’s left for the listener to decide is whether it’s true or false. This way of thinking about language seemed so natural that it went unquestioned for ages. But Austin saw some big gaps in this very generalized framework.
For example, there’s a class of everyday utterances that don’t fit comfortably into the true-or-false mold. When someone says, “I bet you a dollar it’ll rain tomorrow.” Or they take a wedding oath and say, “I do.” Or they break a bottle of champagne against a boat and say, “I name this ship the Queen Elizabeth.” Or when they simply apologize or make a promise, something happens in the very act of speaking. The words themselves are carrying out the deed.
In other words, we can think of these utterances as performative. Rather than reporting facts, performative utterances operate more like moves in a game. Saying the words counts as making the move, provided the situation is right. In these cases, we shift our attention away from abstract meanings and toward real-world circumstances – who’s speaking, when they’re speaking, and under what conditions.
These are not one in a blue moon oddities; they show up constantly in ordinary life. A promise creates an obligation. A verdict settles a dispute. A greeting opens a social exchange.
But the funny thing is, once you start to recognize the performative aspect of language, you start to recognize it in less obvious places. Many utterances without explicit performative verbs still function in similar ways. A sentence that looks descriptive on the surface can carry commitments, expectations, or authority, depending on how and where it’s said. So, maybe performatives aren’t such a sharply defined class. Rather, they can connect to a wider field of utterances that also do things, even when they don’t announce that fact directly.
Take the statement, “You’ll be here tomorrow.” Maybe it doesn’t sound performative at first glance. But if this was said by a supervisor to their employee at the end of a tense meeting, then it takes on a certain forcefulness.
The action of language doesn’t belong to a special corner of speech, but flows through everyday statements in subtle and variable ways. This is the groundwork that we’ll be building on: to think about the act of speech as layered, flexible, and deeply tied to use rather than form alone. To recognize speaking is a kind of doing, where meaning lives not just in words, but in actions carried out through them.
Now, once words are seen as actions, a new question comes into view: What has to go right for those actions to succeed? That question leads directly into the next section.
How to Do Things with Words (1962) starts from a simple insight with far-reaching consequences: speaking is a way of acting in the world. It shows us how promises, apologies, and declarations quietly shape social reality every day. This is the kind of mind-expanding work that just might change your relationship with language.
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Try Blinkist to get the key ideas from 7,500+ bestselling nonfiction titles and podcasts. Listen or read in just 15 minutes.
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Blink 3 of 8 - The 5 AM Club
by Robin Sharma