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Blink 3 of 8 - The 5 AM Club
by Robin Sharma
A History of Collective Joy
Dancing in the Streets by Barbara Ehrenreich explores the history of collective joy and communal celebrations. It delves into the cultural and social significance of dancing and revelry, revealing their power to unite and liberate.
Around 10,000 years ago, prehistoric humans were singularly focused on survival, dedicating their days to securing food, shelter, and warmth. They crafted rudimentary weapons, fashioned garments, and began to develop early agricultural technology. Yet, alongside these vital activities, they engaged in something else that might seem surprising: dance. In modern times, we often view dance as non-essential, a mere pastime or form of entertainment. But the evidence of early societies devoting significant time to dance suggests otherwise. Anthropologist Victor Turner refers to these as “liminal or peripheral activities,” important for navigating transitions and maintaining social cohesion within a community.
Anthropologists widely agree that dance played an important role in allowing humans to live together in larger communities, beyond small family groups. The optimal group size for survival during this era is estimated to be around 150 individuals, and dance served as a powerful tool to bond these larger groups together. Communities capable of uniting through dance likely had an evolutionary advantage over others.
When people move in time to rhythm collectively, it stimulates a response in the brain that drives cortical rhythms and produces feelings of intense pleasure. This biological response has deep evolutionary roots. Sex is pleasurable because it promotes the critical function of reproduction. Dance is pleasurable because it promotes an equally important function: community bonding.
In ancient history, dance was also central to the worship of gods like Dionysus, Pan, and Krishna. Dionysus, the Greek god of wine and ecstasy, was honored with wild, ecstatic dances that blurred the lines between the human and the divine. Pan, the rustic god of nature, inspired frenzied dances in forests and fields, embodying the untamed, primal forces of nature. In Hinduism, Krishna is often depicted as the divine dancer, whose rhythmic movements symbolize the cosmic dance of life. The ecstatic dance rituals performed in their honor were not just acts of worship but also means of achieving a transcendent state of collective joy.
As paganism began to be refined by civilization – particularly with the rise of the Roman Empire – and as Christianity spread, these collective ecstatic rituals started to be viewed with suspicion in certain Western cultures.
Dancing in the Streets (2008) explores the deep-rooted origins of communal celebration in human biology and culture, highlighting universal elements like carnival, music-making, and dance. It reveals how such practices were integral to Western traditions – from the ancient Greek worship of Dionysus to medieval Christianity as a “danced religion”.
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Try Blinkist to get the key ideas from 7,500+ bestselling nonfiction titles and podcasts. Listen or read in just 15 minutes.
Get startedBlink 3 of 8 - The 5 AM Club
by Robin Sharma