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A History of Collective Joy

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Dancing in the Streets by Barbara Ehrenreich explores the history of collective joy and communal celebrations. It delves into the cultural and social significance of dancing and revelry, revealing their power to unite and liberate.

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    Dancing in the Streets
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    Dancing was once crucial for our survival

    Around 10,000 years ago, prehistoric humans were singularly focused on survival, dedicating their days to securing food, shelter, and warmth. They crafted rudimentary weapons, fashioned garments, and began to develop early agricultural technology. Yet, alongside these vital activities, they engaged in something else that might seem surprising: dance. In modern times, we often view dance as non-essential, a mere pastime or form of entertainment. But the evidence of early societies devoting significant time to dance suggests otherwise. Anthropologist Victor Turner refers to these as “liminal or peripheral activities,” important for navigating transitions and maintaining social cohesion within a community.

    Anthropologists widely agree that dance played an important role in allowing humans to live together in larger communities, beyond small family groups. The optimal group size for survival during this era is estimated to be around 150 individuals, and dance served as a powerful tool to bond these larger groups together. Communities capable of uniting through dance likely had an evolutionary advantage over others.

    When people move in time to rhythm collectively, it stimulates a response in the brain that drives cortical rhythms and produces feelings of intense pleasure. This biological response has deep evolutionary roots. Sex is pleasurable because it promotes the critical function of reproduction. Dance is pleasurable because it promotes an equally important function: community bonding.

    In ancient history, dance was also central to the worship of gods like Dionysus, Pan, and Krishna. Dionysus, the Greek god of wine and ecstasy, was honored with wild, ecstatic dances that blurred the lines between the human and the divine. Pan, the rustic god of nature, inspired frenzied dances in forests and fields, embodying the untamed, primal forces of nature. In Hinduism, Krishna is often depicted as the divine dancer, whose rhythmic movements symbolize the cosmic dance of life. The ecstatic dance rituals performed in their honor were not just acts of worship but also means of achieving a transcendent state of collective joy.

    As paganism began to be refined by civilization – particularly with the rise of the Roman Empire – and as Christianity spread, these collective ecstatic rituals started to be viewed with suspicion in certain Western cultures.

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    What is Dancing in the Streets about?

    Dancing in the Streets (2008) explores the deep-rooted origins of communal celebration in human biology and culture, highlighting universal elements like carnival, music-making, and dance. It reveals how such practices were integral to Western traditions – from the ancient Greek worship of Dionysus to medieval Christianity as a “danced religion”. 

    Dancing in the Streets Review

    Dancing in the Streets (2007) explores the history and importance of collective joy in human societies, shedding light on its cultural and political significance. Here's why this book is worth a read:

    • Offers fascinating insights into the role of communal celebrations throughout history, showing how they connect people and shape societies.
    • Examines the political power of public festivities, revealing how they can spark social change and challenge authority in unique ways.
    • With its engaging storytelling and thought-provoking analysis, the book transforms the concept of "having fun" into a deep exploration of human culture and behavior.

    Who should read Dancing in the Streets?

    • Cultural historians interested in the social and cultural evolution of civilizations
    • Social activists keen to reclaim our legacy of community and collective joy
    • Artists and performers delving into the cultural contexts of their creative practice

    About the Author

    Barbara Ehrenreich was an influential American author, journalist, and social critic, best known for her investigative work on social issues and economic inequality. Her landmark book, Nickel and Dimed, highlighted the struggles of low-wage workers and became a pivotal text in discussions on labor rights. Throughout her career, Ehrenreich authored over 20 books and numerous essays, consistently challenging societal norms and advocating for social justice.

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    Dancing in the Streets FAQs 

    What is the main message of Dancing in the Streets?

    The main message of Dancing in the Streets celebrates the power and joy of collective festivities across cultures.

    How long does it take to read Dancing in the Streets?

    Reading time for Dancing in the Streets varies. The Blinkist summary can be read in a few minutes.

    Is Dancing in the Streets a good book? Is it worth reading?

    Dancing in the Streets is a captivating exploration of communal celebration. A worthwhile read.

    Who is the author of Dancing in the Streets?

    Barbara Ehrenreich is the author of Dancing in the Streets.

    What to read after Dancing in the Streets?

    If you're wondering what to read next after Dancing in the Streets, here are some recommendations we suggest:
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