<p>Who is the author of China In Ten Words?</p>

<p>The author of China In Ten Words is Yu Hua.</p>

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China In Ten Words Book Summary - China In Ten Words Book explained in key points

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China In Ten Words summary

Name: China In Ten Words
Rating: 4.1 (108 reviews)
Author: Yu Hua

Yu Hua

The ten key concepts underlying China’s transformation

4.1 (108 ratings)

29 mins

Brief summary

"China In Ten Words" by Yu Hua describes China's rapid development and transformation through ten pivotal words such as "revolution" and "disparity." The book offers a unique, personal account of China's history and culture.

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Language Culture Asian History

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China In Ten Words
Summary of 10 key ideas

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Key idea 1 of 10

What’s in it for me? Understand ten key words underlying China’s transformation.

If you want to understand an unfamiliar culture, it’s a good idea to learn its language. The way people talk about the world tells you a lot about their values, ideas and customs. The belief that some words are untranslatable may not be technically correct, but there’s something to it. There might be plenty of English translations of a Portuguese word like saudade – “nostalgia,” say, or “longing” – yet none of them really capture the historical importance of the melancholic yearning this word signifies in Portuguese culture.

The same goes for the ten key Chinese words that author Yu Hua analyzes in these blinks. Many of them are readily translatable: renmin, for example, simply means “the people” while yuedu is the Chinese word for “reading.” What these simple translations miss, however, is the role these words have played in China’s recent past.

From the upheavals of Mao’s Cultural Revolution to the Tiananmen Square protests and today’s extraordinary economic boom, each of the concepts covered in these blinks paint a vivid portrait of a country that’s witnessed one of the most profound transformations in world history.

In these blinks, you’ll find out

why so many Chinese people believe the country would benefit from Mao’s return;
how Yu trained himself to write through revolutionary propaganda; and
why counterfeit products are so common in China.

“The people” was a key concept in modern China, up until the Tiananmen Square protests.

Few concepts were as crucial as “the people” when Yu Hua was growing up in 1960s China. The idea was so central to the way the nation talked about itself that Yu even learned to write renmin – the Pinyin romanization of “the people” – before his own name!

The concept really came into its own during the Cultural Revolution, a decade of turmoil which began in 1966. Launched by China’s leader Mao Zedong, the revolution was an attempt to consolidate the Communist Party’s grip on power and wipe out all remnants of the pre-communist past.

The idea of “the people” played a central role in that program. Communists emphasized the collective over individuals, so what better concept to communicate their vision for a society in which everyone – from workers and peasants to soldiers and intellectuals – was equal. Mao, of course, was a dictator, making him more equal than others. That circle was squared by claiming, as a popular slogan of the day did, that “Chairman Mao is the people, and the people are Chairman Mao.”

The term remained important throughout the second half of the twentieth century. It was only displaced when an altogether different kind of turmoil emerged: the 1989 Tiananmen Square protests.

After the death of Hu Yaobang, a leading reformer in the Communist Party, students flocked to Beijing’s grand central square to demand an end to corruption and more democratic freedoms. The protests transformed the city – police officers disappeared from the streets and people came together, lending the city an almost festive atmosphere. The sense of common purpose was so great that even petty thieves stopped stealing to join the demonstrators!

This didn’t last, however. In early June, the army entered the square and opened fire, dispersing the crowds and putting an end to the protests. The crackdown was broadcast on state TV channels, which celebrated the capture of prominent student leaders and the attempts to locate others. Then, one day, the coverage suddenly stopped. The incident was never mentioned again.

Since then, the concept of “the people” was never again widely used. Since 1989, Chinese citizens have been increasingly boxed into ever-smaller categories. Today, they’re just as likely to be defined – and define themselves – as migrants, stockholders or celebrity fans as they are members of the Chinese people.

Mao embodied the concept of a leader, and the word lost much of its significance after his death.

In July 1966, the 72-year-old Mao made an appearance in Wuhan. The city was hosting a mass swimming event, and Mao unexpectedly joined the swimmers in the freezing cold Yangtze river. After his dip, he posed for a photograph wearing just his trunks. The reaction was immediate and positive. People remarked on his excellent health and praised him for his athleticism.

It was through this type of behavior that Mao earned the respect of the people. He was an ideal representative of the Chinese concept of a leader, or lingxiu. A key part of that idea is that a leader should be close to the people. That’s something Mao went out of his way to demonstrate.

The importance of the word for “reading” reflects the changing role of books since the Cultural Revolution.

Books were a scarce commodity during the Cultural Revolution. That didn’t mean reading – yuedu – wasn’t a key word during the author’s childhood. In fact, he remembers four distinct chapters in the development of a reading culture in China.

When he was very young, books were basically non-existent. Texts containing ideas the Communist Party disagreed with were called “poisonous weeds” and had mostly been burned. If you wanted something to read, your only option was to browse one of the two books found in every home in China: the Selected Works of Chairman Mao and his Quotations – the so-called Little Red Book. Dry as these texts were, Yu learned to enjoy them by scanning the biographical footnotes for interesting vignettes.

Writing was a key concept in the Cultural Revolution, and it became part of Yu’s identity.

In December 1973, a young schoolgirl called Huang Shuai wrote to the Beijing Daily. Huang complained that her teacher was unjustly victimizing her because she’d criticized him. The letter struck a chord, and she became something of a minor celebrity. No wonder – attacking established authorities and undermining teachers played a major role in the Cultural Revolution.

It was in this frenzied atmosphere that Yu first found his way to writing, or xiezuo. Like Huang and many other young writers, he became a “red pen” – an author who sided with the political forces driving the revolution forward. Adopting the pseudonym Spring Shoots, Yu and his friends produced big-character posters attacking their school’s faculty, an act which won them the praise of the local propaganda team. Growing bored of such posters, he wrote a play in which resourceful peasants thwart a greedy landlord's attempt to sabotage socialist reconstruction.

Lu Xun was one of the few writers Yu read as a youth, but he only came to appreciate his work much later.

How many authors did you know about when you were a child? Chances are, a few more than Yu. For Chinese kids growing up in the Cultural Revolution, there were pretty much just two writers out there: the poet and leader Mao Zedong and Lu Xun, an early twentieth-century author whose name became a byword for the revolution.

So why was Lu’s work so important? Well, Mao was a huge fan. In fact, it was thanks to the Chinese leader that Lu – who died in 1936 – became such a well-known figure thirty years later. The reason for that was simple. Lu had been fiercely critical of the society of his day, which made his work attractive to the Communist Party as it attempted to discredit old institutions and practices.

Revolution has defined modern Chinese history from the mid-twentieth century to the present.

Lots of Western thinkers link economic growth to political democracy. So where does China, one of the fastest-growing countries in the world, fit into this idea? Well, one way of looking at it is that the country’s recent experiences are part of a tradition of revolution, or geming, that goes back to the mid-twentieth century. A key part of geming is risk-taking, exaggeration and instability.

Take the so-called “Great Leap Forward,” an attempt to rapidly industrialize the nation while simultaneously collectivizing its agriculture, which began in 1958. Reality and expectation diverged, and provincial officials began making exaggerated claims about how much food they were producing and showcasing communal dining halls in which peasants were invited to feast on all the produce they’d supposedly grown. But despite these grand claims, the policy was actually failing. Grain stocks were soon depleted, and famine swept the country. In Sichuan Province alone, over eight million people died – one in every nine.

The concept of the disparity between the rich and the poor is key to understanding modern China.

During the 2006 World Cup, a film crew traveled through southwest China. To celebrate the global soccer tournament, then watched by over one hundred million Chinese citizens, they organized a soccer match for children in a poor village.

The kids had never heard of the game, let alone played it, so the crew decided to teach them the rules. After the cameraman accidentally kicked the ball into some cow dung, he washed it in a small pond before returning it to the penalty spot. When it came to their turn, the children carefully cleaned the ball in the same manner, understanding this to be a key part of the game.

The ability of so-called “grassroots” to climb the social ladder echoes the ideology of the Cultural Revolution.

The word “grassroots,” or caogen, used to mean just that – the roots of a grass plant. Over time, however, its meaning has shifted, and now it is closer to the English term that refers to ordinary people participating at the lowest level of a social structure. In China today, it refers to humble peasants whose successes have allowed them to climb the social ladder.

A good example of caogen are the “blood chiefs” who buy blood from poor peasants and sell it to hospitals and private clients. One of these chiefs became so fantastically wealthy that he bought a luxury apartment in a brand new tower block. Then there’s the “garbage king,” a man who made it big by buying trash from street-sorters and reselling it to factories. The new Chinese class of millionaires is full of “button kings” and “sock kings” who followed a similar path.

“Copycat” is a buzzword in today’s China, but it has much deeper roots.

When Yu started working as a dentist, he had no medical training. His understanding of how to remove, treat and fit teeth was shaky at best. He learned on the job, taking cues from his chain-smoking boss, a man who had started pulling teeth on the streets. Yu wondered how to describe the position he’d had in those years. Things fell into place when he came across a new Chinese buzzword – shanzhai, meaning “copycat.” He’d been a copycat dentist!

Shanzhai isn’t quite as negative as its English translation – in fact, it comes close to justifying fake and pirated products. So, where does the word come from? Well, it took off when knock-off Samsung and Nokia cell phones first appeared on the market. Because the makers of these dodgy phones didn’t have to spend money on research and development, they could sell them for much less than their competitors. The devices were soon everywhere.

“Bamboozle” is the hottest verb in contemporary China, and it’s making deception respectable.

The Chinese word huyou originally referred to an unsteady swaying motion, similar to what one might experience on a fishing boat being rocked by the waves. Today, however, it’s taken on a new meaning that’s much closer to the English word “bamboozle” – to cheat, typically by overhyping something.

The verb first appeared in its new guise in the early 2000s after comedian Zhao Benshan used it in a skit called “Selling Crutches.” Like the English idiom about selling sand in the Sahara desert, Zhao’s gag hinged on the idea of conning someone into buying something they don’t need – in this case, getting a man with perfectly functioning legs to believe he has a disability and selling him crutches.

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What is China In Ten Words about?

China in Ten Words (2012) explores the way modern China talks about itself and probes what that tells us about its past, present and likely future. Honing in on ten common concepts, author Yu Huan tells the story of a nation that has seemingly changed beyond recognition, yet in many ways remains closer to its revolutionary origins than one might believe.

China In Ten Words Review

China In Ten Words (2011) by Yu Hua is a thought-provoking book that offers a unique perspective on China's history, society, and culture. Here are three reasons why this book is worth reading:

The book provides a deep understanding of China through ten carefully chosen words, uncovering the complexities and nuances of the country's past and present.
Through personal anecdotes and vivid storytelling, Yu Hua brings these words to life, making the book both engaging and informative.
By exploring topics such as rebellion, censorship, and freedom, the book sheds light on the challenges faced by individuals in China, making it a captivating and eye-opening read.

Best quote from China In Ten Words

Advance bravely through wind and waves. – Mao Zedong

—Yu Hua

Who should read China In Ten Words?

Students of the history of Communist China
Linguists curious about how language shapes cultural concepts
Those who are fascinated by the modern “Chinese Miracle”

About the Author

Yu Hua is a Chinese author who has written four novels, six short story collections and three volumes of essays. Acclaimed in both China and abroad, his work has been translated into over 20 different languages. Yu became the first Chinese citizen to win the prestigious James Joyce Award in 2002.

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