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The Message summary

Ta-Nehisi Coates

Exploring Myths that Shape our Identity and Reality

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The Message by Ta-Nehisi Coates reflects on systemic racism and its pervasive impacts on society. It blends personal narrative with political commentary, urging introspection and action towards an equitable future for marginalized communities.

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The Message
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Key ideas in The Message

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Key idea 1 of 6

We can only act on what we see

Why should writers care about politics? More to the point, why should they write about politics?

If he’d lived in a more peaceful age, George Orwell says in his 1946 essay “Why I Write,” he might have spent his life penning “ornate or merely descriptive books.” But he didn’t. Bracketed by trench warfare and the atom bomb, his life spanned an age of revolution and reaction, concentration camps and colonial massacres. Its horrors forced him to become a “sort of political pamphleteer.” There’s one answer. 

The Palestinian writer Marwan Makhoul offers another. Explaining why politics intrudes upon his poetry, he says that you must listen to the birds to write poetry that isn’t political. But to hear the birds, “the warplanes must be silent.” It’s easier to see literature as a purely aesthetic concern, these two writers suggest, when the skies are filled with swallows, not fighter jets. 

Another way of thinking about this question is to probe the boundaries between the political and the non-political. When a people’s humanity is cast into doubt, Black American writers remind us, the smallest, most particular details of their lives become political. 

Take Toni Morrison’s novel The Bluest Eye. In it, we meet a character called Pauline. Heavily pregnant, she’s anxious about her future and uncomfortable in her own skin. She falls for what Morrison says is “probably” the most destructive idea in the history of human thought: that physical beauty has something to do with goodness. Pauline’s ideal of the beautiful and good is embodied by a white actress, Jean Harlow. When she goes to see one of Harlow’s movies, she styles her hair like the heroine’s. In the theater, Pauline pulls a tooth out of her mouth biting into a piece of candy. It’s a devastating moment. Her self-image collapses. After that, she says, “everything went.” She decides to settle into her supposed “ugliness.”

Desire, insecurity, delusion are universal literary themes. But this is a Jim Crow story: it takes place in a world in which value and beauty is ascribed to white bodies like Harlow’s, not Black bodies like Pauline’s. To treat these themes in purely aesthetic terms is to accept this ranking of human lives as something natural and given, not the product of political choice and systemic inequality. 

Here, these three lines of argument overlap. As the poet and philosopher Audre Lorde puts it, “we can only act on what we see.” Systems of oppression thrive when they remain hidden. By shining a light on injustice, writers expose what can – and must – be changed. When writers engage with politics, they reveal the stories that demand to be seen.

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What is The Message about?

The Message (2024) is a study of framing, narrative, myth, and the stories power tells to excuse injustice. Drawing on the interconnected histories of Black America, Africa, and Palestine, it presents a compelling moral argument: only that which is truly seen can be cared for and cultivated.

Who should read The Message?

  • Readers interested in African-American culture and history
  • Fans of thought-provoking, narrative-driven essays
  • Admirers of Ta-Nehisi Coates’ work
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About the author

Ta-Nehisi Coates, the Sterling Brown endowed chair at Howard University, is an acclaimed author whose works include The Beautiful Struggle, Between the World and Me, and We Were Eight Years in Power. He holds a National Book Award, a National Magazine Award, and a MacArthur Fellowship. 

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