What the Eye Hears summary

The Evolution of Tap Dancing

In What the Eye Hears, Brian Seibert explores the history of tap dancing, beginning with its roots in the early 19th century. He explains how the dance form evolved from a fusion of African and European dance traditions, taking shape in the United States as a result of the interactions between enslaved Africans and European immigrants. Seibert delves into the early forms of tap, such as the juba, and how these dances were performed in both segregated and integrated spaces.

The author then discusses the emergence of minstrelsy and its impact on tap dancing. He sheds light on how white performers in blackface appropriated African American culture, including tap dancing, and how this practice perpetuated harmful stereotypes. Seibert also examines the role of black performers in minstrel shows, who, despite being forced to conform to degrading caricatures, managed to assert some degree of artistic autonomy.

The Golden Age of Tap

Seibert's narrative moves into the 20th century, a period he describes as the "golden age" of tap dancing. He discusses the rise of vaudeville and its influence on the popularization of tap. He highlights the contributions of influential figures such as Bill 'Bojangles' Robinson, who helped elevate tap from a novelty act to a respected art form. Robinson's ability to infuse his performances with social commentary, particularly on issues of race and segregation, made him a pivotal figure in the evolution of tap.

Seibert also explores the impact of Hollywood on tap dancing, focusing on stars like Fred Astaire and Ginger Rogers. He discusses the ways in which these performers adapted tap to suit the demands of the silver screen, helping to further popularize the dance form. He also examines the role of jazz music in influencing the rhythms and styles of tap dancing during this era.

The Decline and Revival of Tap

The latter part of What the Eye Hears addresses the decline of tap dancing's popularity following World War II. Seibert attributes this decline to a variety of factors, including changing musical tastes and the rise of rock and roll. He also discusses the impact of desegregation on the performance industry, which, while a positive development in many respects, had the unintended consequence of reducing opportunities for black performers in the once-segregated world of entertainment.

However, Seibert ends on a hopeful note, detailing the revival of tap in the latter half of the 20th century. He credits this resurgence to the efforts of dedicated practitioners, such as Gregory Hines and Savion Glover, who worked to keep the art form alive. He also highlights the role of tap festivals and schools in nurturing new generations of tap dancers and ensuring the continuity of the tradition.

Concluding Thoughts

In conclusion, What the Eye Hears offers a comprehensive and engaging account of the history of tap dancing. Seibert's exploration of the dance form's origins, its golden age, and its subsequent decline and revival provides valuable insights into the intersection of dance, race, and popular culture in America. The book also serves as a tribute to the resilience and creativity of the tap community, which has continued to thrive despite the challenges it has faced.